SOPHIE CAROLINE GOHR, DFF
DIRECTOR OF PHOTOGRAPHY
https://www.imdb.com/name/nm8456330/?ref_=hm_rvi_nm
Artistic Statement
Art, to me, is all about connection—connection with oneself and with the world around us. It is a form of poetry, an intimate and universal expression of the soul. My journey as a cinematographer has been one of both immense joy and significant challenges. The most difficult moments have come from projects that were motivated primarily by outcome versus passion and artistry. These experiences have taught me the importance of collaborating with artists whose vision I share and feel driven to support on a fundamental level.
Cinematography is a dance, a collaboration between the director, the crew, and myself. My goal is always to align closely with the director, to fully internalize their vision. I am a vessel, an extension of their mind filtered through my own experience and expertise. This alignment is crucial for creating work that is profound and articulate. Together, we are at the service of the story, and we determine how to most effectively use the paintbrushes at our disposal.
We have many tools as cinematographers such as production design, location, and costumes— and each element plays a critical role in telling the story. I understand the utility of coverage, but it is not where my mind lives. My passion lies beyond conventional thinking. I believe in tailoring the frame specifically to the truth of the story at hand. This results in a cinematic language that feels like a fingerprint unique to the film, yet intentional and seamless. I believe that elements as simple as the blocking of actors and strategic framing can dramatically alter the tension and mood of the scene, to create powerful films succinctly and elegantly.
Lighting, of course, is a crucial element. Historically, it was fundamentally about visibility, but now it is about setting mood and storytelling beyond a genre. High-key lighting, for instance, can create a feeling of levity and enjoyment in a film like The Wizard of Oz, or produce a dissonant unease such as in Midsommar. I love utilizing natural lighting that is organic to the location, whether it is candlelight, shaped daylight, or adding to practical lighting that is available. I believe there is nothing that transports a viewer into the scene more than ensuring cohesion between lighting and the space itself.
In the short-term, I will continue my creative work with an exploration of negative space, darkness, and aesthetic composition. This will transpire through a film about isolation and grief in my upcoming second feature as director of photography. In the long term, I aspire to create meaningful films that uncover profound facets of the human experience. I am also inspired by a deep love of the coral reefs, and a desire to protect them.
Cinematography is a way to express the passion and frustration I feel within myself. It is a way to bring stories to life, that is both deep-rooted and far-reaching, to leave a lasting and resonant impact on audiences.
Bio
Sophie Caroline Gohr is a Danish-born director of photography, defined by her ability to illustrate humanistic stories with captivating, poetic imagery. Her unique skills include extensive experience in shooting on film, especially 16mm, and underwater cinematography as an advanced certified scuba diver.
Her rare talents have led her to lens over 25 short films and countless music videos, which have appeared in over 100 festivals.
Growing up in a small fishing town in northern Denmark, Sophie was surrounded by art from a young age. Her grandfather, a painter, instilled in her a deep appreciation for museums and exhibitions. This artistic environment profoundly influenced her path toward cinematography.
Sophie has a deep love for the ocean and enjoys scuba diving and surfing, which connects her with nature, and keeps her mentally and physically strong. Her dream is to travel the world creating purposeful films that also promote sustainability, and spending lots of time underwater.
Sophie is known for her work on.
CV FILM & TV CREDITS
Feature Films:
- Hybrid – Directed by Stuart Davis, Produced by Siona Van Dijk (USA, 2025)
- Love...., Nova – Directed by Stuart Davis, Produced by Siona Van Dijk (USA, 2024)
- ENGLEMAGEREN – Directed by Esben Tønnesen & Julie Ølgaard, SF Studio (Netflix and HBO Release) 2023 DK
Short Films:
- GALA – Written & Directed by Kevin Clayette (USA) 2025
- Welcome to the Skyline – Directed by Oona Haagen 2022
- Rituals – Directed by Sophie Caroline Gohr 2021
- Medicus – Directed by Lina Csillag 2021
- The Revolution of Love – Directed by Louise Hylland 2021
- Dandelion – Directed by Joey Moe 2021
- The Exemption – Directed by Stefan Pellegrini, TV2 2021
- We Always Have Paris – Directed by Julie Ølgaard 2020
- Incognito – Directed by Joey Moe 2020
- The Morning Walk – Directed by Marc Harpsø 2019
- Shadow of the Past – Directed by Helena Widenborg 2019
- Alaan Isaac – Directed by Lina Csillag 2018
- Roskilde – Directed by Kathrine Vinthersborg 2017
- On Deep Water – Directed by Kathrine Vinthersborg 2017
- Moving Images – Directed by August Vinther Thomsen 2017
Documentaries:
- Rush and the Magic Castle – Directed by Martin Furze (USA, 2024)
- The Streets of San Francisco – Directed by Peter Anthony, Produced by Steven Mao (USA) 2024
- Levitate - Directed by Sophie Gohr
TV Pilots:
- 2020 – Directed by Selma Munksgaard Hansen
- 7 Symptoms of a Sociopath – Directed by Marc Harpsø 2018
- South East of Aarhus – Directed by Tammie Bergholt & Marc Harpsø 2019
- Karo and Frida – Directed by Jonas Risvig 2017